Tuesday, November 12, 2013

The Trap

After a brief conversation I had today, I was instantly reminded of a post I made 3 years ago, after a dear friend of mine, Mattias, shared a book with me.  

Every single one of us lives inside of our own self-made trap.  Our walls can have an indeterminable number of sides, some may even have windows looking into the world we wish to see, or a life we would rather have.  The only reality we actually own is the one inside, or outside of "The Trap".  

Instead of my regular Tuesday blog post, Today I will concede to Wilhelm Reich:

"It IS possible to get out of a trap. However, in order to break out of a prison, one first must confess to being in a prison. The trap is wo/man's emotional structure, her/his character structure. There is little use in devising systems of thought about the nature of the trap if the only thing to do in order to get out of the trap is to know the trap and to find the exit. Everything else is utterly useless: Singing hymns about the suffering in the trap, as the enslaved Negro does; or making poems about the beauty of freedom outside of the trap, dreamed of within the trap; or promising a life outside the trap after death, as Catholicism promises its congregations; or confessing a semper ignorabimus as do the resigned philosophers; or building a philosophic system around the despair of life within the trap, as did Schopenhauer; or dreaming up a superman who would be so much different from the man in the trap, as Nietzsche did, until, trapped in a lunatic asylum, he wrote, finally, the full truth about himself—too late. . . 

The first thing to do is to find the exit out of the trap. The nature of the trap has no interest whatsoever beyond this one crucial point: WHERE IS THE EXIT OUT OF THE TRAP?

One can decorate a trap to make life more comfortable in it. This is done by the Michelangelos and the Shakespeares and the Goethes. One can invent makeshift contraptions to secure longer life in the trap. This is done by the great scientists and physicians, the Meyers and the Pasteurs and the Flemings. One can devise great art in healing broken bones when one falls into the trap. The crucial point still is and remains: to find the exit out of the trap. WHERE IS THE EXIT INTO THE ENDLESS OPEN SPACE? The exit remains hidden. It is the greatest riddle of all. The most ridiculous as well as tragic thing is this:THE EXIT IS CLEARLY VISIBLE TO ALL TRAPPED IN THE HOLE. YET NOBODY SEEMS TO SEE IT. EVERYBODY KNOWS WHERE THE EXIT IS. YET NOBODY SEEMS TO MAKE A MOVE TOWARD IT. MORE: WHOEVER MOVES TOWARD THE EXIT, OR WHOEVER POINTS TOWARD IT IS DECLARED CRAZY OR A CRIMINAL OR A SINNER TO BURN IN HELL.

It turns out that the trouble is not with the trap or even with finding the exit. The trouble is WITHIN THE TRAPPED ONES.

All this is, seen from outside the trap, incomprehensible to a simple mind. It is even somehow insane. Why don't they see and move toward the clearly visible exit? As soon as they get close to the exit they start screaming and run away from it. As soon as anyone among them tries to get out, they kill her/him. Only a very few slip out of the trap in the dark night when everybody is asleep."

From The Murder of Christ, (1953) by Wilhelm Reich. 

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